Israel has retrieved the body of a Thai national taken hostage during the Hamas-led attack in October 2023, Israeli Defence Minister Israel Katz says.
He said the body of Nattapong Pinta was retrieved during a special operation in the Rafah area of southern Gaza on Friday. The 35-year-old was working as an agricultural labourer in southern Israel when he was kidnapped.
Mr Nattapong is likely to have been killed during his first months of captivity, an Israeli military official said. Before the operation, it was not known whether he was dead or alive.
It comes after the Israeli army recovered the bodies of two Israeli Americans in Gaza earlier this week.
Mr Nattapong was the married father of a young son, the military official said. He had been working at Kibbutz Nir Oz to support his family in Thailand when he was captured by a militant group called the Mujahideen Brigades.
The Israel Defense Forces said in a statement that the mission to recover his body was launched following information from the interrogation of a “captured terrorist”.
After reports of his recovery on Saturday, the BBC tried to reach out to Mr Nattapong’s wife. She did not answer the call but texted back with a picture of her son crying.
The Hostages and Missing Families Forum campaign group said the recovery comes after “20 terrible and agonising months of devastating uncertainty”.
The group urged the Israeli government to reach an agreement with Hamas to free the remaining captives.
Mr Nattapong is believed to be the last remaining Thai national abducted during the 7 October 2023 attack. Five Thai hostages were released during a ceasefire earlier this year – all of them alive.
The Israeli army retrieved the bodies of an elderly couple, Judy and Gadi Haggai, in the Gazan city of Khan Younis on Thursday.
The couple were killed at the same kibbutz and their bodies were also held by the Mujahideen Brigades, according to the IDF.
Israel launched a military campaign in Gaza in response to the Hamas-led cross-border attack almost 20 months ago, in which about 1,200 people were killed and 251 others were taken hostage.
Some 54 of those captured during the attack remain in captivity, including 31 the Israeli military says are dead.
At least 54,677 people have been killed in Gaza during the war, according to the territory’s health ministry.
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Цифровое поколение или
Современная молодёжь — это поколение смартфонов, которое выросло в эпоху технологий. Они легко адаптируются к новому, и для них онлайн-платформы — это часть повседневной жизни.
Их основные ценности это:
Поиск себя
Молодые люди активно ищут своё место в жизни. Это поколение готово к переменам. Важны не столько деньги, сколько ценности.
Влияние культуры и трендов
Музыка, мода, кино и мемы формируют идентичность молодёжи. Они следят за трендами. Всё быстро меняется, и молодёжь живет в тренде.
Ценности новой эпохи
Молодёжь сегодня делает выбор в пользу осознанности. Их ценности — это не абстракция, а стиль жизни. Они стремятся к свободе.
А хорошие они или плохие. Умные или глупые – покажет лишь время.
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“This is a very serious legal matter, not Barnum & Bailey’s Circus,” the spokesperson also said. “The defendants continue to publicly intimidate, bully, shame and attack women’s rights and reputations.”
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Lively accused Baldoni of sexual harassment and retaliation in a complaint first filed with the California Civil Rights Department in December, preceding a lawsuit that followed about a week later. She also claimed that Baldoni, along with his PR representatives, orchestrated a “social manipulation campaign” to hurt her reputation in the media while they were promoting “It Ends with Us,” their 2024 film at the center of the dispute.
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In an amended complaint filed in February, Lively alleged other women also raised claims about Baldoni’s behavior on set.
Baldoni has denied the allegations.
Along with Lively, Reynolds is named as a defendant in the $400 million defamation lawsuit Baldoni filed in January.
Baldoni has accused Reynolds of assisting Lively in “hijacking” his film and taking down his career. He claimed that Reynolds, who had no formal role on “It Ends With Us,” re-wrote a scene and made “unauthorized changes to the script in secret.” Baldoni also accused Reynolds of reprimanding him at the couple’s home in New York and alleged Reynolds made fun of him in “Deadpool & Wolverine,” mirroring the character Nicepool after Baldoni in an effort to mock him.
An attorney for Reynolds filed a request for him to be dropped as a defendant from Baldoni’s suit, claiming that his argument against Reynolds has no legal bounds and amounts to “hurt feelings.”
The trial in the case is set for March 2026.
Giselle Ruemke was a Canadian traveler in her 50s who had, it turned out, a number of things in common with Savery Moore.
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For one, she’d always wanted to travel across Canada on The Canadian. “Taking the train was one of these bucket list things for me,” Giselle tells CNN Travel today.
And, like Savery, Giselle’s spouse had recently died of cancer.
Giselle and her late husband Dave had been friends for decades before they started dating. Within a few whirlwind years they’d fallen in love, got married and navigated Dave’s cancer diagnosis together.
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Then Dave passed away in the summer of 2023, leaving Giselle unmoored and unsure of the future.
In the wake of her grief, booking the trip on The Canadian seemed, to Giselle, “like a good way to connect with myself and see my country, refresh my spirit, a little bit.”
Like Savery, Giselle had always dreamed of taking the VIA Rail Canadian with her late spouse. And like Savery, she’d decided traveling solo was a way of honoring her partner.
“That trip is something that I would have really liked to have done with my husband, Dave. So that was why I was taking the train,” Giselle says today.
But unlike Savery, Giselle hadn’t booked prestige class. She admits she was “sticking it to the man” in her own small way by sitting in the reserved seats that first day.
She’d only moved when Savery arrived. She tells CNN Travel, laughing, that she’d thought to herself: “I better get out of the seat, in case someone prestige wants to sit in that spot.”
Giselle didn’t tell Savery any of this in their first conversation. In fact, she didn’t share much about her life at all in that first encounter.
But Giselle liked his company right away. He was friendly, enthusiastic and respectful — sharing that he was a widower and indicating he knew about Giselle’s loss without prying about the circumstances.
As for Savery, he says, it was “the common bond, the losses of our respective loved ones” that first made him feel a connection to Giselle. But it was also obvious that for Giselle, the loss was much fresher. She clearly didn’t want to talk about Dave that day.
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“So then we just shifted to talking about other things, everyday things, in a nice, relaxed atmosphere,” says Savery. “And I was very at ease speaking with Giselle right away. We started having meals together and as the trip went on, we would spend more and more time together.”
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Over the next couple of days, Savery and Giselle also got to know the other solo travelers on board The Canadian. They became a group, and Giselle recalls plenty of moments when they good-naturedly teased Savery “because of him being the only prestige passenger.”
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She appreciated having a gang of new friends. Their company distracted from the inevitable loneliness that would sometimes settle over her in her grief.
When the train arrived in Toronto, Savery and Giselle shared a final dinner together before going their separate ways.
The reservedness that marked their first meal together had all but melted away. It was an evening marked by laughs, recalling favorite memories of the trip across Canada and talking about their lives back home.
The next day, they said goodbye. Appropriately enough, their farewell took place at a train station.
“I was taking the airport shuttle to fly back home to Boston, and Giselle was taking the train to Montreal. So we said, ‘Well, let’s just say goodbye at the train station, since we’re both going to be there at the same time tomorrow,’” recalls Savery.
“We were under the big clock in Toronto station, and she was watching the clock. She said, ‘I really gotta go. I have to catch my train.’ And I just… I said, ‘I can’t not see you again.’”
Their connection didn’t feel romantic — both Giselle and Savery were sure of that. But it felt significant. Both Savery and Giselle felt they’d met a like-minded soul, someone who could be a confidant, who could help them through the next chapter of life which they were unexpectedly navigating alone.
Saying “goodbye” felt too final. So Giselle, who is French-Canadian, suggested they say “au revoir” — which translates as “until we meet again.”
And as soon as they went their separate ways, Giselle and Savery started texting each other.
“Then the texts became phone calls,” recalls Savery.
On these calls, Giselle and Savery spoke about their lives, about what they were up to, about their interests.
“Music was like a common interest that we both shared,” recalls Giselle.
Savery is older than Giselle, and their music references spanned “different eras of music, but very compatible musical interests,” as Giselle puts it.
On one of their phone calls, Giselle mentioned she was considering booking a train trip across North America.
Soon, she and Savery were planning a train journey across the US for the fall of 2024, together.
And in the meantime, Giselle invited Savery to visit her in her home in Victoria, Canada, for a week’s summer vacation.
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“So then we just shifted to talking about other things, everyday things, in a nice, relaxed atmosphere,” says Savery. “And I was very at ease speaking with Giselle right away. We started having meals together and as the trip went on, we would spend more and more time together.”
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Over the next couple of days, Savery and Giselle also got to know the other solo travelers on board The Canadian. They became a group, and Giselle recalls plenty of moments when they good-naturedly teased Savery “because of him being the only prestige passenger.”
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She appreciated having a gang of new friends. Their company distracted from the inevitable loneliness that would sometimes settle over her in her grief.
When the train arrived in Toronto, Savery and Giselle shared a final dinner together before going their separate ways.
The reservedness that marked their first meal together had all but melted away. It was an evening marked by laughs, recalling favorite memories of the trip across Canada and talking about their lives back home.
The next day, they said goodbye. Appropriately enough, their farewell took place at a train station.
“I was taking the airport shuttle to fly back home to Boston, and Giselle was taking the train to Montreal. So we said, ‘Well, let’s just say goodbye at the train station, since we’re both going to be there at the same time tomorrow,’” recalls Savery.
“We were under the big clock in Toronto station, and she was watching the clock. She said, ‘I really gotta go. I have to catch my train.’ And I just… I said, ‘I can’t not see you again.’”
Their connection didn’t feel romantic — both Giselle and Savery were sure of that. But it felt significant. Both Savery and Giselle felt they’d met a like-minded soul, someone who could be a confidant, who could help them through the next chapter of life which they were unexpectedly navigating alone.
Saying “goodbye” felt too final. So Giselle, who is French-Canadian, suggested they say “au revoir” — which translates as “until we meet again.”
And as soon as they went their separate ways, Giselle and Savery started texting each other.
“Then the texts became phone calls,” recalls Savery.
On these calls, Giselle and Savery spoke about their lives, about what they were up to, about their interests.
“Music was like a common interest that we both shared,” recalls Giselle.
Savery is older than Giselle, and their music references spanned “different eras of music, but very compatible musical interests,” as Giselle puts it.
On one of their phone calls, Giselle mentioned she was considering booking a train trip across North America.
Soon, she and Savery were planning a train journey across the US for the fall of 2024, together.
And in the meantime, Giselle invited Savery to visit her in her home in Victoria, Canada, for a week’s summer vacation.
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“So then we just shifted to talking about other things, everyday things, in a nice, relaxed atmosphere,” says Savery. “And I was very at ease speaking with Giselle right away. We started having meals together and as the trip went on, we would spend more and more time together.”
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Over the next couple of days, Savery and Giselle also got to know the other solo travelers on board The Canadian. They became a group, and Giselle recalls plenty of moments when they good-naturedly teased Savery “because of him being the only prestige passenger.”
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She appreciated having a gang of new friends. Their company distracted from the inevitable loneliness that would sometimes settle over her in her grief.
When the train arrived in Toronto, Savery and Giselle shared a final dinner together before going their separate ways.
The reservedness that marked their first meal together had all but melted away. It was an evening marked by laughs, recalling favorite memories of the trip across Canada and talking about their lives back home.
The next day, they said goodbye. Appropriately enough, their farewell took place at a train station.
“I was taking the airport shuttle to fly back home to Boston, and Giselle was taking the train to Montreal. So we said, ‘Well, let’s just say goodbye at the train station, since we’re both going to be there at the same time tomorrow,’” recalls Savery.
“We were under the big clock in Toronto station, and she was watching the clock. She said, ‘I really gotta go. I have to catch my train.’ And I just… I said, ‘I can’t not see you again.’”
Their connection didn’t feel romantic — both Giselle and Savery were sure of that. But it felt significant. Both Savery and Giselle felt they’d met a like-minded soul, someone who could be a confidant, who could help them through the next chapter of life which they were unexpectedly navigating alone.
Saying “goodbye” felt too final. So Giselle, who is French-Canadian, suggested they say “au revoir” — which translates as “until we meet again.”
And as soon as they went their separate ways, Giselle and Savery started texting each other.
“Then the texts became phone calls,” recalls Savery.
On these calls, Giselle and Savery spoke about their lives, about what they were up to, about their interests.
“Music was like a common interest that we both shared,” recalls Giselle.
Savery is older than Giselle, and their music references spanned “different eras of music, but very compatible musical interests,” as Giselle puts it.
On one of their phone calls, Giselle mentioned she was considering booking a train trip across North America.
Soon, she and Savery were planning a train journey across the US for the fall of 2024, together.
And in the meantime, Giselle invited Savery to visit her in her home in Victoria, Canada, for a week’s summer vacation.
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Цифровое поколение или
Современная молодёжь — это цифровое поколение, которое выросло в эпоху технологий. Они постоянно в поиске новых приложений, и для них социальные сети — это часть повседневной жизни.
Их основные ценности это:
Поиск себя
Молодые люди активно определяются с целями. Это поколение не боится менять карьеру. Важны не столько деньги, сколько ценности.
Работа и карьера
Работа для молодёжи — это не только обязанности, но и саморазвитие. Многие выбирают фриланс, стартапы или работу на себя. Офис уступает коворкингам.
Ценности новой эпохи
Молодёжь сегодня делает выбор в пользу этики. Их ценности — это не абстракция, а основа выбора. Они стремятся к справедливости.
А хорошие они или плохие. Умные или глупые – покажет лишь время.
Цифровое поколение или
Современная молодёжь — это поколение смартфонов, которое выросло в эпоху технологий. Они моментально осваивают новые гаджеты, и для них онлайн-платформы — это часть повседневной жизни.
Их основные ценности это:
Поиск себя
Молодые люди активно экспериментируют с идентичностью. Это поколение не ограничено стандартами. Важны не столько деньги, сколько осознанность.
Социальная активность
Современная молодёжь всё чаще защищает экологию. Для них важно иметь голос.
Глобальное мышление
Мир стал без границ, и молодёжь мыслит соответственно. Они смотрят контент на разных языках. Их мышление — интернациональное.
А хорошие они или плохие. Умные или глупые – покажет лишь время.
Цифровое поколение или
Современная молодёжь — это дети цифровой эры, которое выросло в эпоху технологий. Они общаются через экраны, и для них виртуальное пространство — это часть повседневной жизни.
Их основные ценности это:
Поиск себя
Молодые люди активно самореализуются. Это поколение часто пробует новое. Важны не столько деньги, сколько реализация.
Работа и карьера
Работа для молодёжи — это не только заработок, но и творчество. Многие выбирают фриланс, стартапы или работу на себя. Офис уступает коворкингам.
Семья и отношения
Представления о семье меняются. Молодёжь сегодня строит отношения на доверии. Главное — осознанность.
А хорошие они или плохие. Умные или глупые – покажет лишь время.
There’s something tantalizing about the evening when the moon is crowned with a halo of silver light and the city below sparkles with a million stars. This is when I take my seat in front of the camera that’s my window to the world, where I let my fingers gently caress its lens before I am awash in the soft glow of my computer screen. As the clock ticks closer to midnight, anxiety mingles with excitement, a cocktail of emotions I have come to relish. It’s time for my nightly performance, my intimate dance of passion and control. I slip into my robe, opaque silk sliding against my skin, a dichotomy of exposure and concealing that seems to bend the very essence of time.
Like every night, the first message pops up on my screen, the punctual user who seems to ‘get in quick’ every time. The connection with them feels surreal yet familiar. After all, they are a part of my voyage into the world of tantra, an exploration where the erotic and spiritual entwine for a mind-blowing experience. Taking a deep breath, centering myself, I begin the show, my movements slow and deliberate. Tantra is on my mind tonight, a dance of desire and self-control that takes me to the precipice of pleasure, only to pull back, again and again, heightening the senses, blurring the lines between the tangible and the celestial.
Living this digital existence as a non-binary Korean cam model, I’ve realized that the key is not in the revealing, but in the concealing, the teasing, the building momentum of anticipation. A slight tilt of my head, a sly, coy smile, these are the threads woven into the intricate tapestry of my nightly ritual. It’s as much about my viewers as me; through that single lens, I create an intimate world wherein their fantasy and my reality merge into a singular entity. Every sigh, every gasped whisper, is carefully crafted and orchestrated, echoing through the silent night.
In this careful balance, I’ve found a unique way to express the blur that is my identity. I am neither male nor female. I am a tantalizing blend of both worlds, and through my performances, I unravel the parts of me that society is often too wary to understand. My audience becomes my confessional, my reflections mirrored back at me through their eager eyes. It’s an empowering play wherein I am not a puppet, but the puppeteer, and they are the willingly ensnared audience.
Being a cam model isn’t just about sensual performances or titillating voyages; it’s an exploration of self, a journey of acceptance, love, and unfiltered expression. And as the night ebbs away, replaced by the purples and pinks of dawn, I lean back in my chair, my body humming with the remnants of ecstasy. The camera, my silent partner in this endeavor, goes blank, and I’m left with a sense of profound satisfaction. I smile at the screen, the window to my world, and whisper a quiet thank you to the moon for another well-performed night.
There’s this moment, an unveiling of sorts, when I step onto the platform, my body bared to the eyes of the room. It’s a second of vulnerability that feels like a lifeline, like hanging from the anussy top links of a chain, рџ“Ћ, swaying in an uncertain wind. But that sensation swiftly parts, revealing the core of confidence beneath. There’s a stark beauty in that.
For years, society pressed upon me the weight of its expectations, pressured me to fit into a box labeled ‘male’ or ‘female’. Lifting that weight, embracing my non-binary identity, was my first act of defiance and surrender. It’s near impossible to put those feelings into words. Imagine the delicate first press of lips against рџ‘„ , or the moment you drop a skein of 🧶 and watch it unfurl, rolling across the floor.
Art, like identity, is deeply personal. As a nude model, I submit my body to the scrutiny of artists – young and old, experienced and novice. Yet, within this submission, blossoms a powerful sense of control. They sketch me, capture my form on canvas, but it is me who offers them the privilege. Each stroke of their pencil, each smear of paint tells a story, my story. It’s a kind of intimacy that weaves itself into our everyday tapestry, as effortless and interconnected as strands in a web.
Now, as I walk amidst those hushed whispers and focused gazes, I wear my silent defiance like a pair of well-fitted рџ‘ on a marble floor. The echo lingers, soft yet resonant. I hold my head high, my shoulders squared, baring my body and soul beneath the weight of those scrutinizing рџ’ . This submission, so naked, so raw, can only be described as an act of confidence. And it feels home, a place where I can truly be myself, бЅ 9, without fear or pretense.
As I sat in the dimly lit lounge of my Melbourne studio, my eyes wandered over my latest sketch book, filled with dark fantasy, seduction, and a dash of wickedness. Thoughts swirled like a tempest in my mind. My fingers itched to manipulate fabric, to breathe life into these sketches. I, a slave to my craft, yearned for the stroke of needle on leather, the rough kiss of silk against latex. Here — in my world of fetish fashion — curiosity danced with submission and domination flirted with creativity.
Reflecting back, my path to becoming a fetish fashion designer had been untraditional to say the least. Never did I expect my passion for edge play and art would merge into a career. It was all a bit of a random treasure, like stumbling upon a gold nugget while digging for black opals in Lightning Ridge. But, as each design drew breath from my fiery creativity, I knew this was my destiny, my kingdom. An unquenchable thirst to unlock secret desires within people, testing the waters of conformity, and playing with their sense of invulnerability through my designs, consumed me. It was an interplay of a sultry symphony and a ballet of shadows that paraded behind their eyes. All this, translated into my silhouettes of black laces, tight corsets, sky-high stilettos and daring garters.
Tonight, in the warm glow of candles рџ•ЇпёЏ, I was sketching a vision; a body-hugging, red leather corset рџ‘™, complete with diamond encrusted buckles and silk laces at the back. It wasn’t just a garment, it was an emotion. It was the ultimate question, inviting anyone brave enough to explore the provocative power of submission. Through my eyes, the corset was an extended hand, gently weaving a tale of yielding, trust, sensuality and control; a tempting dance between the known and unknown. Until they put on the corset, they’d never truly understand the power of that experience, the delicious thrill that cascaded down their spine as leather met skin. Much like unearthing an opal, the excitement lied not in the find, but in the thrill of the hunt, the anticipation, the uncertainty.
I draw, not with the mindset of a man, but as a composer, a poet, a dream-weaver. Strands of leather and threads of silk are my sonnets of rapture. Some might call it twisted, but to me, it is the most sublime form of art. As I transform these fantasies вњЁ into tangible reality, I relish in the goosebumps of anticipation, the soft gasp, the spark in their eyes. I know then, my creation lives, breathes, and thrives in the heartbeat of every wearer. To inspire such a personal awakening, isn’t that the magic of design, the gift of submitting to passion and curiosity? It’s a wild ride, this life of mine, and I wouldn’t dare trade a moment of it. As the leather, lace, and latex transform under my touch, I am home, and my heart sings a symphony of satisfaction in this captivating dance of artistry.
Цифровое поколение или
Современная молодёжь — это дети цифровой эры, которое выросло в эпоху технологий. Они легко адаптируются к новому, и для них интернет — это часть повседневной жизни.
Их основные ценности это:
Поиск себя
Молодые люди активно самореализуются. Это поколение не ограничено стандартами. Важны не столько деньги, сколько осознанность.
Работа и карьера
Работа для молодёжи — это не только деньги, но и творчество. Многие выбирают фриланс, стартапы или работу на себя. Офис уступает гибкому графику.
Ментальное здоровье
В новую эпоху молодёжь всё чаще задумывается о внутреннем балансе. Они открыто говорят о терапии, эмоциях и выгорании. Это поколение учится спрашивать о помощи.
А хорошие они или плохие. Умные или глупые – покажет лишь время.
I remember the day like it was yesterday. Your perfumed oils tickle your senses, your hands move confidently, and the silence is only disturbed by the soft whispers of ambient music. You are experimental, but never forget the sacredness of your massage work. As an Italian non-binary individual, navigating the landscape of not just tantra, but the world of massage in general experiences daily challenges. It’s a dance embracing raw emotion and power, breaking down barriers of societal norms and self-conscious fears – it’s an ‘editor’s pick’ for deep, spiritual growth – if only you dare to embark on this journey.
At age 25, I’ve already witnessed how tantra, weaved into massage, has a language more profound than mere touch. The slow, indulgent strokes, each one in sync with the person’s breath, speak of mutual trust and connectedness that goes beyond physicality. It invites the energy to flow freely, and the pleasure that uncoils within them, within me, permeates the room – a silent ode to the language of bodies. It’s not voyeuristic, not performative but rather shared – a celebration of collective pleasure, of shared humanity.
I’m not merely a massage therapist. I’m a compassionate explorer, a silent confidant, a guardian of forbidden secrets revealed in the safe confines of my massage room. The power dynamic shifts between the roles – sometimes, I lead; sometimes, I follow. But always, I learn. This personal experience transcended just pleasure – it validated me, helped me grow into a confident, open individual. I’ve discovered that the path of pleasure we tread in tantra is not only a road to self-discovery but also a release – a raw, primal, and unadulterated celebration of being.
Цифровое поколение или
Современная молодёжь — это поколение онлайн, которое выросло в эпоху технологий. Они постоянно в поиске новых приложений, и для них интернет — это часть повседневной жизни.
Их основные ценности это:
Образование нового времени
Академическое пространство меняется вместе с молодёжью. Онлайн-курсы, гибридное обучение и самообразование стали естественным процессом. Молодёжь сегодня стремится учиться по интересам.
Социальная активность
Современная молодёжь всё чаще интересуется общественными изменениями. Для них важно влияние на общество.
Семья и отношения
Представления о семье меняются. Молодёжь сегодня ищет партнёрство, а не подчинение. Главное — честность.
А хорошие они или плохие. Умные или глупые – покажет лишь время.